Made using hand-mixed dyes from kitchen staples — hibiscus flowers, turmeric, coffee, black tea, avocado pits and skins, and iron water — this postcard-sized piece explores color drawn directly from food rather than commercial paint. Each dye is prepared and applied by hand, giving every piece subtle variations in tone and texture that can't be replicated by tube paint. Part of an ongoing series experimenting with natural, food-based pigments on watercolor paper.

Natural dye on watercolor paper, 4 in. x 6 in.
2026

Made using hand-mixed dyes from kitchen staples — hibiscus flowers, turmeric, coffee, black tea, avocado pits and skins, and iron water — this postcard-sized piece explores color drawn directly from food rather than commercial paint. Each dye is prepared and applied by hand, giving every piece subtle variations in tone and texture that can't be replicated by tube paint. Part of an ongoing series experimenting with natural, food-based pigments on watercolor paper.

Natural dye on watercolor paper, 4 in. x 6 in.
2026

Made using hand-mixed dyes from kitchen staples — hibiscus flowers, turmeric, coffee, black tea, avocado pits and skins, and iron water — this postcard-sized piece explores color drawn directly from food rather than commercial paint. Each dye is prepared and applied by hand, giving every piece subtle variations in tone and texture that can't be replicated by tube paint. Part of an ongoing series experimenting with natural, food-based pigments on watercolor paper.

Natural dye on watercolor paper, 4 in. x 6 in.
2026

Made using hand-mixed dyes from kitchen staples — hibiscus flowers, turmeric, coffee, black tea, avocado pits and skins, and iron water — this postcard-sized piece explores color drawn directly from food rather than commercial paint. Each dye is prepared and applied by hand, giving every piece subtle variations in tone and texture that can't be replicated by tube paint. Part of an ongoing series experimenting with natural, food-based pigments on watercolor paper.

Natural dye on watercolor paper, 4 in. x 6 in.
2026

Made using hand-mixed dyes from kitchen staples — hibiscus flowers, turmeric, coffee, black tea, avocado pits and skins, and iron water — this postcard-sized piece explores color drawn directly from food rather than commercial paint. Each dye is prepared and applied by hand, giving every piece subtle variations in tone and texture that can't be replicated by tube paint. Part of an ongoing series experimenting with natural, food-based pigments on watercolor paper.

Natural dye on watercolor paper, 4 in. x 6 in.
2026

Made using hand-mixed dyes from kitchen staples — hibiscus flowers, turmeric, coffee, black tea, avocado pits and skins, and iron water — this postcard-sized piece explores color drawn directly from food rather than commercial paint. Each dye is prepared and applied by hand, giving every piece subtle variations in tone and texture that can't be replicated by tube paint. Part of an ongoing series experimenting with natural, food-based pigments on watercolor paper.

Natural dye on watercolor paper, 4 in. x 6 in.
2026

Made using hand-mixed dyes from kitchen staples — hibiscus flowers, turmeric, coffee, black tea, avocado pits and skins, and iron water — this postcard-sized piece explores color drawn directly from food rather than commercial paint. Each dye is prepared and applied by hand, giving every piece subtle variations in tone and texture that can't be replicated by tube paint. Part of an ongoing series experimenting with natural, food-based pigments on watercolor paper.

Natural dye on watercolor paper, 4 in. x 6 in.
2026

Made using hand-mixed dyes from kitchen staples — hibiscus flowers, turmeric, coffee, black tea, avocado pits and skins, and iron water — this postcard-sized piece explores color drawn directly from food rather than commercial paint. Each dye is prepared and applied by hand, giving every piece subtle variations in tone and texture that can't be replicated by tube paint. Part of an ongoing series experimenting with natural, food-based pigments on watercolor paper.

Natural dye on watercolor paper, 4 in. x 6 in.
2026

Made using hand-mixed dyes from kitchen staples — hibiscus flowers, turmeric, coffee, black tea, avocado pits and skins, and iron water — this postcard-sized piece explores color drawn directly from food rather than commercial paint. Each dye is prepared and applied by hand, giving every piece subtle variations in tone and texture that can't be replicated by tube paint. Part of an ongoing series experimenting with natural, food-based pigments on watercolor paper.

Natural dye on watercolor paper, 4 in. x 6 in.
2026

Made using hand-mixed dyes from kitchen staples — hibiscus flowers, turmeric, coffee, black tea, avocado pits and skins, and iron water — this postcard-sized piece explores color drawn directly from food rather than commercial paint. Each dye is prepared and applied by hand, giving every piece subtle variations in tone and texture that can't be replicated by tube paint. Part of an ongoing series experimenting with natural, food-based pigments on watercolor paper.

Natural dye on watercolor paper, 4 in. x 6 in.
2026

Made using hand-mixed dyes from kitchen staples — hibiscus flowers, turmeric, coffee, black tea, avocado pits and skins, and iron water — this postcard-sized piece explores color drawn directly from food rather than commercial paint. Each dye is prepared and applied by hand, giving every piece subtle variations in tone and texture that can't be replicated by tube paint. Part of an ongoing series experimenting with natural, food-based pigments on watercolor paper.

Natural dye on watercolor paper, 4 in. x 6 in.
2026

Made using hand-mixed dyes from kitchen staples — hibiscus flowers, turmeric, coffee, black tea, avocado pits and skins, and iron water — this postcard-sized piece explores color drawn directly from food rather than commercial paint. Each dye is prepared and applied by hand, giving every piece subtle variations in tone and texture that can't be replicated by tube paint. Part of an ongoing series experimenting with natural, food-based pigments on watercolor paper.

Natural dye on watercolor paper, 4 in. x 6 in.
2026

Made using hand-mixed dyes from kitchen staples — hibiscus flowers, turmeric, coffee, black tea, avocado pits and skins, and iron water — this postcard-sized piece explores color drawn directly from food rather than commercial paint. Each dye is prepared and applied by hand, giving every piece subtle variations in tone and texture that can't be replicated by tube paint. Part of an ongoing series experimenting with natural, food-based pigments on watercolor paper.

Natural dye on watercolor paper, 4 in. x 6 in.
2026

Made using hand-mixed dyes from kitchen staples — hibiscus flowers, turmeric, coffee, black tea, avocado pits and skins, and iron water — this postcard-sized piece explores color drawn directly from food rather than commercial paint. Each dye is prepared and applied by hand, giving every piece subtle variations in tone and texture that can't be replicated by tube paint. Part of an ongoing series experimenting with natural, food-based pigments on watercolor paper.

Natural dye on watercolor paper, 4 in. x 6 in.
2026

Made using hand-mixed dyes from kitchen staples — hibiscus flowers, turmeric, coffee, black tea, avocado pits and skins, and iron water — this postcard-sized piece explores color drawn directly from food rather than commercial paint. Each dye is prepared and applied by hand, giving every piece subtle variations in tone and texture that can't be replicated by tube paint. Part of an ongoing series experimenting with natural, food-based pigments on watercolor paper.

Natural dye on watercolor paper, 4 in. x 6 in.
2026

4”×6“ acrylic, ink, watercolor, fabric, oil pastel, graphite, colour pencilc mounted on 6” × 8” red postcard paper

4×6 watercolor markers on watercolor paper

4×6 watercolor markers on watercolor paper

4×6 watercolor markers on watercolor paper

A collection of continuous-line ink drawings exploring fragmented, dreamlike forms — abstracted faces, spiraling shapes, and hidden symbols emerge from loose, unbroken linework. Each piece is drawn in a single improvisational gesture, giving the work a sense of motion and discovery rather than fixed planning. Recurring motifs — spirals, lightning bolts, striped textures, and small cryptic marks or codes — tie the series together as an ongoing visual language.

Ink on mixed media paper, 2024, 4.5" x 6"

A collection of continuous-line ink drawings exploring fragmented, dreamlike forms — abstracted faces, spiraling shapes, and hidden symbols emerge from loose, unbroken linework. Each piece is drawn in a single improvisational gesture, giving the work a sense of motion and discovery rather than fixed planning. Recurring motifs — spirals, lightning bolts, striped textures, and small cryptic marks or codes — tie the series together as an ongoing visual language.

Ink on drawing paper, 2024, 4.5" x 6"

A collection of continuous-line ink drawings exploring fragmented, dreamlike forms — abstracted faces, spiraling shapes, and hidden symbols emerge from loose, unbroken linework. Each piece is drawn in a single improvisational gesture, giving the work a sense of motion and discovery rather than fixed planning. Recurring motifs — spirals, lightning bolts, striped textures, and small cryptic marks or codes — tie the series together as an ongoing visual language.

Ink on drawing paper, 2024, 4" x 6"

A collection of continuous-line ink drawings exploring fragmented, dreamlike forms — abstracted faces, spiraling shapes, and hidden symbols emerge from loose, unbroken linework. Each piece is drawn in a single improvisational gesture, giving the work a sense of motion and discovery rather than fixed planning. Recurring motifs — spirals, lightning bolts, striped textures, and small cryptic marks or codes — tie the series together as an ongoing visual language.

Ink and graphite on drawing paper, 2024, 4" x 6"

A collection of continuous-line ink drawings exploring fragmented, dreamlike forms — abstracted faces, spiraling shapes, and hidden symbols emerge from loose, unbroken linework. Each piece is drawn in a single improvisational gesture, giving the work a sense of motion and discovery rather than fixed planning. Recurring motifs — spirals, lightning bolts, striped textures, and small cryptic marks or codes — tie the series together as an ongoing visual language.

Ink on drawing paper, 2024, 4" x 6"

A collection of continuous-line ink drawings exploring fragmented, dreamlike forms — abstracted faces, spiraling shapes, and hidden symbols emerge from loose, unbroken linework. Each piece is drawn in a single improvisational gesture, giving the work a sense of motion and discovery rather than fixed planning. Recurring motifs — spirals, lightning bolts, striped textures, and small cryptic marks or codes — tie the series together as an ongoing visual language.

Ink on paper, 4" x 6"

A collection of continuous-line ink drawings exploring fragmented, dreamlike forms — abstracted faces, spiraling shapes, and hidden symbols emerge from loose, unbroken linework. Each piece is drawn in a single improvisational gesture, giving the work a sense of motion and discovery rather than fixed planning. Recurring motifs — spirals, lightning bolts, striped textures, and small cryptic marks or codes — tie the series together as an ongoing visual language.

Ink on paper, 4" x 6"

A collection of continuous-line ink drawings exploring fragmented, dreamlike forms — abstracted faces, spiraling shapes, and hidden symbols emerge from loose, unbroken linework. Each piece is drawn in a single improvisational gesture, giving the work a sense of motion and discovery rather than fixed planning. Recurring motifs — spirals, lightning bolts, striped textures, and small cryptic marks or codes — tie the series together as an ongoing visual language.

Ink on paper, 2026, 4" x 6"

4in x 6in Black India ink and red ink on watercolor paper

4in x 6in Black India ink on watercolor paper

4×6 acrylic on watercolor paper

4×6 acrylic on mixed media paper

4×6 acrylic on watercolor paper

Mixed media — acrylic on photographic print
Photography by Annie Clifford, painted by MM
2026

A white-breasted nuthatch caught mid-descent down a tree trunk, photographed by Annie Clifford, reimagined here with a bold, abstracted figure painted directly over the image. Vivid blocks of yellow, teal, and coral transform the quiet nature photograph into something more surreal — a painted presence colliding with a captured moment. Part of an ongoing collaborative series between Clifford's photography and MM's painting.

Mixed media — acrylic on photographic print
Photography by Annie Clifford, painted by MM
2026

A white-breasted nuthatch caught mid-descent down a tree trunk, photographed by Annie Clifford, reimagined here with a bold, abstracted figure painted directly over the image. Vivid blocks of yellow, teal, and coral transform the quiet nature photograph into something more surreal — a painted presence colliding with a captured moment. Part of an ongoing collaborative series between Clifford's photography and MM's painting.

Mixed media — acrylic on photographic print
Photography by Annie Clifford, painted by MM
2026

A white-breasted nuthatch caught mid-descent down a tree trunk, photographed by Annie Clifford, reimagined here with a bold, abstracted figure painted directly over the image. Vivid blocks of yellow, teal, and coral transform the quiet nature photograph into something more surreal — a painted presence colliding with a captured moment. Part of an ongoing collaborative series between Clifford's photography and MM's painting.

4×6 acrylic and gouache on mixed media paper

4×6 watercolor paint on watercolor paper

4×6 watercolor paint on watercolor paper

4×6 watercolor paint on watercolor paper

4×6 watercolor paint on watercolor paper

4×6 watercolor paint on watercolor paper

3 - 4×6 acrylic marker on drawing paper

4×6 watercolor paint on watercolor paper

4×6 acrylic on mixed media paper

4×6 acrylic on mixed media paper

4×6 charcoal, watercolour on postcard paper

4×6 watercolor paint on watercolor paper

4×6 cut out, acrylic, newspaper, red pen on postcard paper

Set of 3 - 4in × 6in red and black ink on watercolor paper

4×6 Spray paint, fabric, paper cut-outs on mixed media paper

5×7 Spray paint, fabric, paper cut-outs on black cardstock paper

5×7 Spray paint, fabric, paper cut-outs on black cardstock paper

5×7 Spray paint, fabric, paper cut-outs on black cardstock paper